Situated in the Faubourg Marigny, this 1829 Greek Revival house had been divided up into apartments before its recent transformation back to a single-family dwelling. The romantic patina of the weathered pink stucco facade belies the startlingly mod sensibility that animates the interiors. This is a house that gathers inspiration from the past while wholeheartedly embracing the present. One of the major moves in the extensive renovation was the expansion of existing 3-foot-wide doorways between rooms to 8 feet, enhancing spatial flow, opening views, and facilitating the influx of natural light. Existing crown moldings and baseboards were replicated to preserve the roomsâ€™ historic integrity. The dramatic black-and-white color scheme underscores the venerable structureâ€™s good bones and generous proportions.
The homeâ€™s contemporary ethos is expressed in a broad array of twentieth-century modern furnishings. Eschewing predictable signifiers of mid-century cool, the scheme incorporates elements of wide-ranging pedigree and provenance, including works by Osvaldo Borsani, Warren Platner, and contemporary French maestro HervÃ© Van der Straeten. Judiciously selected eighteenth- and nineteenth-century antiques tether the home to its historic pastâ€”indeed, several mirrors are original to the property. In contrast, the living and dining roomsâ€™ giant keyhole-shaped mirrors in the Surrealist manner of French designer Serge Roche strike a decidedly more modern note.
Every sofa is custom-designed, including the living roomâ€™s 13-foot sectional, which is covered in a silk velvet whose color wavers intriguingly between gunmetal and bronze. Other furnishings and finishes leaven the severity of the black-and-white palette by introducing sympathetic shades of brown, gray, and glints of gold. The wide-plank pine floors were stained in a custom colorâ€”70 percent ebony, 30 percent coffee-brownâ€”and topped off with three coats of high-gloss polyurethane for a patent-leather luster. The three-room master bedroom suite, bathed in white and redolent of Old Hollywood glamour, feels like a dreamy aerie, at once timeless and of the moment.
|2012 Sep||Architectural Digest|